Story. Screenplay. Sale.
Some respected screenwriting gurus claim that you should read and study as many screenplays as possible. It doesn’t matter if the film was a success or a flop: you learn either way. I agree. But more importantly, you should watch and analyze the movies. For years, I blindly followed this dogma, as it seemed to … Read more
Our guest post series has opened to the readers, so it is your turn. Aspiring screenwriter Terrence ponders over a question that has bugged all of us at some point: “Is screenwriting for me?” Post: Terrence Editor: Cleo Mees The bustling streets of lower Manhattan. Ubiquitous blue planks of wood, held up by rusty bars of … Read more
In our series about screenwriting software, the people behind some of the leading titles contribute to this blog. Our guest this week is Eric McDonald, CEO of Zhura.com. While screenwriting is rarely credited as a driver of new technology, it certainly benefits from technical innovation. Screenwriters have enjoyed continuous improvement in the tools that allow them … Read more
At the time of release, much of the attention surrounding JUNO went to the screenwriter rather than the script. Now the dust around Diablo Cody has settled, some voices have questioned the quality of the script. by Karel Segers I still believe it is a wonderful independent film, well-structured and beautifully written. Usually I am … Read more
Tracy Richardson is a former Story Department student and client whose debut script LIGHTING UP has been moving forward steadily since being selected a finalist in a national pitching competition back in 2006. Last year she worked with Michael Hauge as part of Inscription. Last month Tracy traveled South to attend the NSC in Adelaide. … Read more