Structure: Juno

At the time of release, much of the attention surrounding JUNO went to the screenwriter rather than the script. Now the dust around Diablo Cody has settled, some voices have questioned the quality of the script. by Karel Segers I still believe it is a wonderful independent film, well-structured and beautifully written. Usually I am … Read more

Structure: Thelma & Louise

I am a fan of Ridley Scott’s flamboyant visual style of filmmaking. Although he has had numerous box office successes, in my view he has never equalled the overall excellence of THELMA & LOUISE (1991). It is a fabulous movie and an outstanding debut script by first-timer Callie Khouri. Here is an attempt to analyse … Read more

The Power of Next

THE POWER OF NOW has brought a bit of Zen to the masses. Author Tolle is touring the world to spread the word and save our spiritual lives. Zen may be the key to your well-being; it is the enemy of cinema. Get your audience into the ‘now’ and your movie is dead. Storytelling for … Read more

The Psychology of Scriptwriting (3)

PART 3: THE ID THEORY In an average life, most people have a very constricted time. Rarely is a person satisfied with as much sex, food, money and fun as he/she desires. Mostly, society (and health issues) enforce humans to lead somewhat disgruntled lives. Because the alternative, if everyone did exactly what their hearts desired … Read more

That Mid-Point Thing

Following UNK’s publication of his post on The Mid Point and to the benefit of the students in a recent HERO’S JOURNEY workshop, I have updated the article of 20 April last year about this important turning point. Since writing the below post, I have come to realise that the mid point may well be … Read more