robert mckee

To McKee or not to McKee

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A friend asked me if I would be offended should he spend $600 to go see McKee in Melbourne. Years ago I happened to be in LA in the first days of release of the first edition of STORY (McKee’s bestselling book). I purchased two copies: one for myself and one for my best friend … Read more

Arcs and Endings (2)

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Should you write a happy ending? Commercial common sense will tell you: yes, you should. Robert McKee says: “Tell the truth.” (see the previous post) McKee means: your story needs to reflect your worldview. If you contradict whatever you believe in for the sake of commerce, you will fail. During his Arthouse seminar, he gives … Read more

Conscious vs. Unconscious Desire

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Question: When McKee talks about the conscious desire being a contradiction of the unconscious desire, would you relate this to the mid act 2 reversal / change in approach? Or would this be true from the very start of the story, script or life of the protagonist? Answer: Let’s start with quoting exactly what it … Read more

The Story Revolution

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Nafa – Choctops Meeting: 18/2/08 (Report by John Haly, Thank you to Tony Chu) Karel -a Belgian producer and script consultant – founded OZZYWOOD Films and The Story Department (which is a unique Australian blog and online resource for screen story theory). Karel headed production and programming at London’s Digital Broadcasting Company and was a … Read more

The Three C’s of a Scene

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Your primary focus is on story and less on writing scenes, sharp dialogue or gripping action. Inevitably, though, once figured out your characters and their journeys, you are down to the daunting task of writing that next draft. You will be writing at the scene level, and a slightly different set of rules comes into … Read more