Story. Screenplay. Sale.
This blog started when a certain analysis of Michael Mann’s THE INSIDER sparked my frustration. Discussing BLADE RUNNER in a story workshop recently, I felt I was close to doing the exact same thing. To this date I don’t fully agree with her INSIDER analysis but Linda Aronson taught me this: to learn story, you … Read more
If you want to be a professional screenwriter, be open to spoilers. Furthermore, be open to the weaknesses in your favourite films. Most often, it won’t harm your love for the film. Some of the handful of films I re-watch every year, I won’t mention in my seminars because I appreciate them for reasons other … Read more
Nafa – Choctops Meeting: 18/2/08 (Report by John Haly, Thank you to Tony Chu) Karel -a Belgian producer and script consultant – founded OZZYWOOD Films and The Story Department (which is a unique Australian blog and online resource for screen story theory). Karel headed production and programming at London’s Digital Broadcasting Company and was a … Read more
The first step for many aspiring screenwriters is to purchase a piece of pricey screenwriting software. Some call it retail therapy. You are not a screenwriter until you have made that sacrifice, until you have invested money in your career, right? I call it a waste of $250. Your first draft should be a quick … Read more
Inciting Incident, Catalyst, Call to Adventure, Disturbance. All terms referring to the first crucial moment: the point where your story kicks off. Michael Hauge closes the first of his six story stages with it, at the 10% point of the story (10mins in a 100mins movie). Paul Gulino sees it as the end of the … Read more